Jo Anne Robinson (arrest #7042); J.W. Bonner (arrest #7057); Rev. M. L. King Jr. (arrest #7089); Audrey Belle;Langford (arrest #7080); Rosa Parks (arrest #7053); Willie James Kemp (arrest #7104); L.R. Bennett (arrest #7022); Ralph D. Abernathy (arrest #7018)
2008 (all)
oil on canvas and toner on silk (all)
Dimensions variable
McCallum & Tarry worked as an artist duo from 1996 to 2012. As a white
man and Black woman also engaging in the work of a marriage, Bradley
McCallum and Jacqueline Tarry explored issues of race, power, and identity
through multimedia installations that are at once unmistakable, careful, and
mystifying. Images relating to these concepts are recontextualized or, often,
amputated bizarrely from any context at all, showing only the emotional truth
of events which often become weighed down and confused as landscapes
for equivocation and debate. Notions held as truth-- the primacy of white-
ness, the brutality of law and law enforcement-- are made apparent in their
quiet violence.
McCallum and Tarry’s 2008 series Evidence of Things Not Seen presents
layered depictions of Civil Rights protestors arrested for their part in the 1956
Bus Boycotts in Montgomery, Alabama. Their images, taken at the moment
of their arrest, are rendered in each work twice. Full-color oil paintings,
honorary and dignified, sit within the works’ simple white frame, while the
original black-and-white mugshot, serving as objective evidence for a system
meant to dehumanize, is stretched overtop the frame on translucent silk. The
complex relationship of these two images-- these two historical understand-
ings-- shudders and unfurls as a viewer walks around them: sometimes
lining up, sometimes at odds, never able to exist independent of each other.
McCallum and Tarry invite a moment of reflection under the gaze of the
subjects, about whom we know so much and so little, pointing quietly to the
nuance of memory, power, and choice: concepts in which we too-often
remain comfortably, blindly certain.
-Nola Williams-Riseng